Puzzle Muteson is the alter ego of an enigmatic songwriter from the Isle of Wight, rendering his music in a tremulous tenor over a finely spun web of fingerpicked guitar. Born in London, Isle of Dogs, the southern English island provided unexpected shelter for the shuddering transformation into one-man band Puzzle Muteson. His grade-school music teacher was first to recognise his unrivalled vibrato, and a little while later a parade of chance and coincidence led him to inhabit Puzzle Muteson, and start shaping a body of songs. Puzzle has since toured Ireland and the U.K., opening up for the likes of The Fruit Bats, Death Vessel and Sub Pop darling Daniel Martin Moore.
After obsessively listening to Puzzle Muteson’s own raw tapes, producer- arranger duo Valgeir Sigurðsson and Nico Muhly nurtured the songs that now inhabit his debut recording En Garde, released via Valgeir’s Bedroom Community label. The record shimmers with the signature value of Puzzle’s collaborators who have previously worked with the likes of Bonnie ‘Prince’ Billy, Antony (& the Johnsons), Sam Amidon and many others.
Born in Vermont in 1981 and raised in Providence, Rhode Island, New York–based composer Nico Muhly graduated from Columbia University with a degree in English Literature. In 2004, he received a Masters in Music from the Juilliard School, where he studied under Christopher Rouse and John Corigliano.
A former boy chorister, Muhly has composed extensively for choir, including commissions from the Clare College Choir and the Brooklyn Youth Chorus. New York’s Saint Thomas Church commissioned and performed his Bright Mass with Canons, later recorded on their American Voices album and on the Los Angeles Master Chorale’s all-Muhly Decca debut, A Good Understanding.
His orchestral works have been premiered by the American Symphony Orchestra, Aurora Orchestra (Seeing is Believing), the Boston Pops (Wish You Were Here), the New York Philharmonic (Detailed Instructions) and the Chicago Symphony (Step Team). He is currently working a new quintuple concerto commissioned by the piano-playing Five Browns.
Film credits include Muhly’s scores for Joshua (2007), and Best Picture nominee The Reader (2008). With designer/illustrator Maira Kalman, Muhly composed a vocal work based on Strunk & White’s The Elements of Style, and he has worked with choreographer Benjamin Millepied to create new pieces for the American Ballet Theater (From Here On Out) and the Paris Ope?ra Ballet(Triade), and the Nederlands Ballet (One Thing Leads to Another). He has also lent his skills as performer, arranger and conductor to other musicians, including Antony and the Johnsons (The Crying Light), Bjo?rk (Medu?lla, Drawing Restraint 9, Volta), Bonnie “Prince” Billy (The Letting Go), Doveman (The Conformist), Grizzly Bear (Veckatimest), and Jo?nsi from Sigur Ro?s (Go).
Among his most frequent collaborators are his colleagues at Bedroom Community, an artist-run label headed by Icelandic musician Valgeir Sigurðsson and inaugurated by the release of Muhly’s first album, Speaks Volumes (2007). Leading up to Speaks Volumes’ American release, Muhly was invited to present concerts of his chamber music at both Carnegie Hall and the Whitney Museum. Since then, Muhly has released a second album, Mothertongue (2008), and worked closely with labelmates Valgeir, Ben Frost, and Sam Amidon on their respective solo releases. Valgeir collaborated with Muhly and perfumer Christophe Laudamiel to create the “scent opera” Green Aria (2009), which premiered at the Guggenheim Museum in New York, and on the ballet I Drink the Air Before Me, commissioned by the Stephen Petronio Dance Company for their 25th anniversary and released on CD by Decca in the fall of 2010.
Recently, Muhly has begun composing for operatic voices. Carnegie Hall commissioned his song “The Adulteress” for soprano Jessica Rivera’s 2009 Carnegie debut, and that same year, countertenor David Daniels and the Academy of St. Martin in the Fields performed his Vocalise and Drones on arias by Handel. 2010 saw the premiere of Impossible Things, a new song cycle for tenor Mark Padmore, violinist Pekka Kuusisto, and the Britten Sinfonia, and in 2011, the Metropolitan Opera, Lincoln Center Theater Opera/Theater Commissions Program, in a co-production with the English National Opera, commissioned Two Boys (libretto by Craig Lucas, directed by Bartlett Sher), Muhly’s first full-scale opera, followed by Dark Sisters (with a libretto by Stephen Karam and directed by Rebecca Taichman), co-commissioned by the Gotham Chamber Opera, Music-Theatre Group and the Opera Company of Philadelphia.
2012 premieres include commissions from the National Youth Orchestra of Great Britten and a new collaboration with choreographer Benjamin Millepied for New York City Ballet.
His name is pronounced [Ëˆni ko] [Ëˆmju: li].