Benjamin John Power and Andrew Hung does not seem particularly busy people to be: First changes in the melody is in the opening piece "Sweet Love For Planet Earth" by exactly four and a half minutes. Alternatively, one could say that the melody begins only after four and a half minutes, because the keyboards and synthesizers to them basically on two chords. Instead, the changes duo from Bristol on repetitions - so quickly, we are the most important feature of the music on the Fuck buttons debut "Street Horrrsing".

What is it but for music? Six songs in fifty minutes, oha. The above references are misleading: The Liars have Fuck buttons than the occasional drum attacks in common, "Ribs Out" for example, would have on its 2006 "Drum's Not Dead" fairly good fit. The other element of "Ribs Out," with just under four minutes by far the shortest song of the album, shouts, cries more. Screams the man on the whole "Street Horrrsing distributed repeatedly hear. Singing? Nothing doing. So last heard in Animal Collect Ives Peace Bone ", which also for a very similar understanding of the proper use of synths.

My Bloody Valentine for two reasons serve as a comparison. Firstly, because the buttons Fuck a roughly equal love for distortion and delay, which was already hot. Secondly, because of this deliberate monotony, even if Fuck buttons never be equated with boredom. There is the pressure of its noise-based music, much too large. One is curious to something that may not come, and if they do, the effect is even greater. Sudden breaks, there are none. Careful increases are the second key feature of the next repetition.

Possibly useful for the music of the two Britons better to be able to categorize: John Cummings of Mogwai, the album. Fuck buttons go in May with Battles on tour. Another idea: With the right images in the right places could "Street Horrrsing" soundtrack an effective horror Thrillers. Who is now - why have you - beautifully presented, paradoxically, is not nearby, but just right.