Fuck buttons as a band name says a lot here already, without having to justify a single tone of this two-member Kombo heard. Andrew Hung and Benjamin John Power from Bristol formed in 2004 to electronically experimental post-rock band and practice since the cohabitation with their instruments on hellish manner. Not only is the regulator of its synthesizers and sequencers are properly since rangenommen, even the brains of listeners are outrageous and penetrates to the limits of endurance fucked. Just let them live overawed eyes and open mouths in the faces of the audience have left.

Incorporated, the six existing track debut album, "Street Horrrsing" together with John Cummings of Mogwai, in view of the fact that Fuck buttons also experimental post-rock produce visibly felt should have. Identical to Mogwai and similar bands should probably also its ambition to produce his music, which significantly exceeds the radio suitability because of the six songs exceed five the seven minute mark in big steps. The difference with Mogwai is here but in a minimalist, almost nihilistic electronics thunderstorm, where warming sun's rays in the form of beautiful melodies in the distance and move everything around in a snow drift with wild gray cloudy sky threatening to sink.

Although at the beginning of "Sweet Love Of Planet Earth" dainty bell plätschern games, and a warm, destroy buttons Fuck this idyll immediately charged with a static noise. The sweet Geklimper rising in the background and becomes more and more distorted sound of walls swallowed up a satanic voice samples in Mark and leg drive and the last glimmer of hope up. The following "Ribs Out" with its rhythmic structure of small wooden sounds and the labbrigen stand-Tom-not only sounds like a demonic cry from the jungle, exactly, is this again. "Ribs Out" ends with a pulsating Ferquenzrauschen the transition to the two interlaced core pieces on "Street Horrrsing", "Okay Let's Talk About Magic" and "Race You To The Bedroom - Spirit Rise". These consist of not sustained frequenziertem noise with unterlegtem CB-radio-voice-mash, only now and then sets a synth melody. There are probably those two pieces, with their tight 20 minutes it to the listeners of the most demanding and probably one or the other really mad.

"Bright Tomorrow" is, however, with his stroboscopic synthesizer, the melody gives Keys and the 4 / 4 beat monotonous bass drum hämmernden the handiest piece on "Street Horrsing". At the end of this disturbing noise may work with "Colours Move" once all facets of Fuck buttons in a final kick together a tribute to the underworld. Here the noise with rhythms and melodies with a scream attacks to a combined unit completed. Tight 50 minutes and six songs later, we wonder how deep the abyss of mental Fuck buttons could be, if they can do it as a malicious and common piece of music to create. One thing is in any case: Nobody fucks with the Fuck buttons with impunity.

Score: 8.0 out of 10